Woodend Bowing and Tennis Club

Tuesday May 31, 2016

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A great double bill coming up at Woodend Bowing and Tennis Club in Jordanhill on the 23rd of June featuring two great female singer songwriters, Hannah Aldridge and Lilly Hiatt

Hannah Aldridge

There are few artists that can truly encapsulate the essence and true range of Americana like Muscle Shoals artist Hannah Aldridge, whose musical pedigree precedes her and speaks for itself.

Hannah Aldridge is the daughter of Alabama Music Hall of Famer Walt Aldridge, who is one of the most prolific songwriters of the modern musical era.

With sounds ranging from blues in the Mississippi Delta to the dusty, Dixieland jazz sounds from New Orleans, the musical stylings of Muscle Shoals on up to the primitive roots of American Country music, Hannah Aldridge leaves no inspiration or influence untapped.

Hannah debut record “Razor Wire” has received outstanding response across major mediums (Billboard, American Songwriter, No Depression, Americana UK, Maverick UK, …) and fans all over the world.

 Working on a new record – to be released this year, she is coming to Glasgow in order to showcase the new songs and greet our city with new material.

Lilly Hiatt

Lilly Hiatt is the daughter of John Hiatt and her second alum Royal Blue, is about the majesty of melancholy-or, as she explains it, “accepting the sadder aspects of life and finding some peace in them.” A dance between pedal steel and synths, the album examines the vagaries of love and commitment but steadfastly refuses to romanticize any notion of romance. Singing in a barbed lilt full of deep worry and gritty determination in equal measure, she conveys emotions too finely shaded to be easily named, yet will be familiar to any listener who’s had their heart broken-or has broken a heart.

Lilly Woodend 23 June

 This is, in other words, not a well-behaved singer-songwriter album. Instead, it’s feisty and rough-around-the-edges, full of humour and bite and attitude from a woman who proclaims, “I’d rather throw a punch than bat my eye.” Royal Blue hints at autobiography without sounding self-absorbed, as Lilly transforms a rough patch of life into smart, sturdy, sometimes even hilarious songs that don’t sit squarely in any one genre. Instead, Royal Blue reaches out boldly and playfully into many different sounds and styles: Austin folk rock, Pacific Northwest indie, pre-Oasis Britpop, New York punk ca. 1977. There are ’90s alt guitars and ’00 indie synths, some twang and some Neko Case and Kim Deal.

Doors at 8.00 and Tickets £12 from Tickets Scotland.

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